Boss Area

HM-3 HYPER Metal Boss Advertisement text (1998): The HM-3 is designed for greater gain...

I have developed a mod that puts a true bypass A/B switcher inside your Boss pedal. It utilizes a 4PDT mechanical...

The MT-2 is the metal pedal that followed the HM-2. It was released a couple of years before the HM-3 and was...

The DM-3 was last analog delay pedal produced by Boss. The circuitry is similar to the DM-2’s but it isn’t identical. The...

The CH-1 extends its chorus sound into the high frequency area. The CE-x pedals doesn’t do this and some people find the...

This Bass Chorus is one of the 5 brown bass pedals that Boss made during the late eighties. The chorus effect is...

PN-2 Tremolo/Pan The tremolo effect is achieved by varying the volume of the original sound cyclically to create...

DD-6 Digital Delay The DD-5 was had a lot of modes and Boss admitted that it was perhaps...

A time-travellers guide to the Boss SCC-700 Sound Control Center  Way before programmable multi-effects processors, BOSS had an...

CS-2 Compression Sustainer The CS-2 compresses high-input signals while boosting low-input signals, giving you smooth and long sustain...

FZ-2 HYPER Fuzz The FZ-2 is a distortion pedal with three modes: Fuzz 1, Fuzz 2 and Gain...

PSA Adapter The PSA adapter is a regulated power supply that outputs 9V DC and can supply up...

Boss Guitar Effects Guide Book Vol. 9-10 (1993-1994) The ME-6 combines nine most frequently used effects for guitarists...

RV-2 Digital Reverb The RV-2 was the first digital reverb pedal on the market. Digital reverbs had prior...

The VB-2 pitches the sound up and down to create a vibrato effect. In latch mode, the vibrato effect stays on. In...

SP-1 Spectrum the SP-1 is a parametric equalizer with one frequency band only. The spectrum knob sets the...

SD-2 DUAL OverDrive Boss Guitar Effects Guide Book vol.14 (1999): The SD-2 features independent...

OD-2 TURBO OverDrive The OD-2 was created as a replacement for the OD-1 in the mid 1980s. The...