Featured
Entire Boss Collection
NS-50 Noise Suppressor
The NS-50 uses a VCA together with a high speed envelope for noise detection instead of...
Boss AW-2 Auto Wah
The AW-2 took over from the TW-1 in 1991. In addition to the regular Auto Wah effect it has a modulation...
BOSS HM-3 HYPER Metal
HM-3 HYPER Metal
Boss Advertisement text (1998):
The HM-3 is designed for greater...
Boss LM-2 Limiter
The LM-2 suppresses the peak of the input signal, retaining a certain dynamic range. Adopting a high quality VCA , the...
DRP-I/II/III Dr. Pad
Each of the 3 percussion pads in the Dr. Pad series provides 6 different digital sound sources. The pads are pressure...
DR-55 Dr. Rhythm
Boss Classics - 1980:
The DR-55 introduced the world to affordable, step-write-style drum programming. With ultra-simple controls...
Tone Loss Finale
I can't be buggered to find my last couple posts regarding single effects vs. multi-effects units, tone suckage, & other generalities...
Boss OD-2r TURBO OverDrive
The OD-2R has the same internal circuitry as the OD-2. Tests has shown that the R model has higher gain than...
Boss OC-3 Super Octave
The OC-2 has been around for a very long time so when the time came to replace it, the new pedal...
SE-70 Super Effects Processor
The SE-70 is a stereo multieffects processor in half rack format. It builds on the previous model, SE-50, and adds more...
BOSS HR-2 Harmonist
You have 2 different voices which you can select what steps you want them to create harmonies in (up to an...
BOSS DSD-3 Digital Sampler/Delay
DSD-3 Digital Sampler/Delay
The DSD-3 is identical to the DSD-2 apart from the model designation. The DSD-3...
Boss OC-2 Octave
The OC-2 is a basic octaver that can produce a two extra tones in additional to the original tone. The first...
DR-110 Dr. Rhythm Graphic
Boss "New Scene" 1986:
The DR-110's memory can store up to 32 different rythm patterns, letting the...
BOSS FZ-2 HYPER Fuzz
FZ-2 HYPER Fuzz
The FZ-2 is a distortion pedal with three modes: Fuzz 1, Fuzz 2 and...
